Code Name: Verity is one of the best books I've read this year. I expected it to be excellent, since Wein is such a good writer and the author of several other favorite books of mine, but it surpassed my expectations.

The novel is best-read knowing as little as possible about it, since it goes in a number of unexpected but logical directions, so I will confine my description to what you learn within the first 20 or so pages:

The book is in the form of a confession written by a captured British spy during WWII. The spy is a young woman who parachuted into France after her plane crashed. Her best friend, Maddie, was the pilot, and was killed in the crash. The spy is being held prisoner and tortured by the Gestapo; to play out the remaining time she has left, buy herself an easier death, and to memorialize her best friend, she has agreed to give up information in exchange for being allowed to write her confession at book length, and to tell the entire story of how everything came to pass.

I don't think it's spoilery to say that the reliability of the narrator is questionable; that's inherent in the set-up. But how she's unreliable, how she's reliable, and why is both fun to unravel and, like the rest of the story, moving and heartbreaking. This is that rare thing, a story of female friendship as intense as any other sort of love. It's extremely well-written, suspenseful, meticulously researched, and cleverly plotted.

As you can predict if you've read any of Wein's other books, the characters are great and it's extremely, extremely emotionally intense. There are no graphic details, but the psychological depiction of what it feels like to be tortured and helpless - and to hold on to whatever you can of your power and self under circumstances where that feels impossible - is one of the most realistic I've ever read. I would not schedule any important meetings or dates or anything where you need to be emotionally together and focused immediately after finishing this book. It's terrific, not depressing, a book I'm sure I will re-read. But like I said... intense.

Also, female friendship! Girl pilots! Girl spies! Intrigue! War! And even humor and wit, which is certainly needed.

I don't usually make award predictions, but I'm going to throw my hat in the ring for this one: Code Name Verity is going to win the Newbery Medal. You heard it here first.

Code Name Verity



Please do not put spoilers in comments. If enough of you have already read it to make a discussion possible and you'd like to have a spoilery discussion, please say so in comments, and I'll open a separate spoiler post later.

Wein's other books form a sequence which is ideally read in order. However, I'll mark good starting points.

The Winter Prince. An intense, unconventional Arthurian retelling, also with an unusual narrative structure: a letter from Medraut (Mordred) to his aunt, Morgause. This gives Arthur two legitimate children, a son, Lleu, and a daughter, Goewin. It's mostly about the relationship between Medraut and Lleu, but Goewin is a very interesting character. Especially good depictions of PTSD and healing from trauma.

A Coalition of Lions (Arthurian Sequence, Book 2). After the battle of Camlann, Goewin ends up in Aksum (ancient Ethiopia.) Works as a bridge between the first book and the next sequence, but not as strong on its own as the rest of the series.

The Sunbird. If you don't need to know the details of everything that went down previously, you could start here with the knowledge that Medraut went to Aksum and had a son, Telemakos, with an Aksumite woman. Very good, but warning for child harm: Telemakos is very young and endures some very bad things. (Not sexual abuse.)

The Lion Hunter (The Mark of Solomon) and The Empty Kingdom (Mark of Solomon Book Two). One book in two volumes. Telemakos, now a teenager, is still suffering from the aftereffects of his spy mission in the last book. But, of course, the reward for a difficult job well-done is another difficult job. You could start here, too, if you don't mind not knowing the exact details of what went down. Fantastic, well-written, atmospheric, well-characterized story. Yet another excellent depiction of trauma and healing. Again, extremely intense, but easier to take since he's no longer a child. Try not to get spoiled for anything in this - don't even read the cover copy.

From: [identity profile] tool-of-satan.livejournal.com


If you keep recommending things I need to read, I may have to defensively send you more books.

From: [identity profile] rachelmanija.livejournal.com


Better hurry! I have three weeks - starting now - in which to get in reading for pleasure (possibly for varying values of pleasure as would include John Boyd) and backlogged promised reading.

From: [identity profile] tool-of-satan.livejournal.com


I will see if I have anything suitable. In the meantime, I am not going to send you my copies but you definitely need to read The Killing Moon and The Shadowed Sun. They are not only good but very relevant to (some of) your interests.

*I* expect to get pleasure out of your reading John Boyd, if that counts.

From: [identity profile] rachelmanija.livejournal.com


I definitely expect to get a very special type of enjoyment out of John Boyd. In fact I waited till my break so I could truly savor the specialness.

Thanks for the rec! I enjoyed Jemisin's 100K Kingdoms, but the new ones look even better/more to my taste.

From: [identity profile] tool-of-satan.livejournal.com


I myself have a slight preference for the Inheritance Triilogy, but these are good and I definitely think more to your taste.

Did you ever read the sequels to 100K Kingdoms?

From: [identity profile] rachelmanija.livejournal.com


Not yet. I will probably read her newer series first. How did you like the 100K sequels? I heard mixed things.

From: [identity profile] tool-of-satan.livejournal.com


I liked them a lot. They did not have quite the same... visceral impact as 100K, with its zero to godhead in 5 seconds plot, but one can't do that every time. The second book follows up pretty directly on issues from the first, and the third changes the scope somewhat (it focuses on Sieh) and has an ending that surprised me in a good way (but maybe I am just oblivious).

From: [identity profile] rushthatspeaks.livejournal.com


OH YAY YOU ARE READING JOHN BOYD SOON. Is this The One With The Orchids, or have you found different as-yet-unread-by-me John Boyd specialness? (The guy who lent me The One With The Orchids is presently going to lend me a whole passel of his other work, which he describes as 'similar, yet with different ideas'. I am a little worried.)

From: [identity profile] rushthatspeaks.livejournal.com


That is really tough! On the one hand, the one with the naked lady/orange motorcycle has a great/terrifying title and a ridiculous cover. On the other hand, I am about ninety percent sure that Sex and the High Command wound up skewered in a Joanna Russ essay about sex wars in science fiction, but I can't check because I haven't unpacked the book yet. Either has potential for significant hilarity, is what I am saying here.
oyceter: teruterubouzu default icon (Default)

From: [personal profile] oyceter


Seconded! I've only read Killing Moon so far, but really loved it, to the point that I was extremely frustrated I couldn't get my hands on Shadowed Sun IMMEDIATELY. I like the worldbuilding in it a lot.
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