Tiger, a male sword dancer for hire in the southern deserts with a trusty blue sword, escorts Del, a female sword dancer from the icy north with a magical pink sword, on a journey to rescue her little brother from slavery. Hijinks ensue.
First published in 1986. WOW was this first published in 1986. Here's the opening paragraph:
In my line of work, I've seen all kinds of women. Some beautiful. Some ugly. Some just plain in between. And—being neither senile nor a man with aspirations to sainthood—whenever the opportunity presented itself (with or without my encouragement), I bedded the beautiful ones (although sometimes they bedded me), passed on the ugly ones altogether (not being a greedy man), but allowed myself discourse with the in-betweeners on a fairly regular basis, not being one to look the other way when such things as discourse and other entertainments are freely offered. So the in-betweeners made out all right, too.
The fact that I actually finished this book really does credit to Roberson's way with a pulp adventure, and so does the fact that pulp action actually happens in it given the sheer page space taken up by rape, rape threats, and sexism.
Everyone in the south is sexist. Everyone in the north is also sexist, but sliiiiiighly less so because Del managed to be the only woman ever to get trained as a sword dancer there, as opposed to the south where it's never happened. Tiger (also sexist) finds it impossible to believe that a woman could a sword dancer (like a sword fighter, but awesomer) even after she demonstrates it a bajillion times until nearly the end of the book. Almost everyone Del meets threatens to rape and/or enslave her and she was raped in the backstory. About 80% of Del's total dialogue boils down to "I may be a woman, but I can do the thing."
Other than Del, there is exactly one woman in the entire book who is not a powerless wife, a whore, a slave, or raped and refrigerated in the backstory. Though possibly "refrigerated" is unfair, because the dead women are there to motivate Del, not Tiger. But still.
The depictions of the hot southern desert cultures, its cannibal tribes, its slavers, etc are basically what you would expect.
That being said, there are some pretty awesome crossing the desert sequences, including being dumped there to die without water and staggering through the sands getting horrendously sunburned, looking for oases and resting at oases, enduring a sandstorm, rescuing two adorable deadly sand tiger cubs, etc.
I read it in high school and never continued the series; all I remembered was that it had first person wiseass narration by Tiger and some good desert sequences. I re-read it after discovering yesterday that an eighth book in the series was released in 2022! Once again, I will not be continuing.


First published in 1986. WOW was this first published in 1986. Here's the opening paragraph:
In my line of work, I've seen all kinds of women. Some beautiful. Some ugly. Some just plain in between. And—being neither senile nor a man with aspirations to sainthood—whenever the opportunity presented itself (with or without my encouragement), I bedded the beautiful ones (although sometimes they bedded me), passed on the ugly ones altogether (not being a greedy man), but allowed myself discourse with the in-betweeners on a fairly regular basis, not being one to look the other way when such things as discourse and other entertainments are freely offered. So the in-betweeners made out all right, too.
The fact that I actually finished this book really does credit to Roberson's way with a pulp adventure, and so does the fact that pulp action actually happens in it given the sheer page space taken up by rape, rape threats, and sexism.
Everyone in the south is sexist. Everyone in the north is also sexist, but sliiiiiighly less so because Del managed to be the only woman ever to get trained as a sword dancer there, as opposed to the south where it's never happened. Tiger (also sexist) finds it impossible to believe that a woman could a sword dancer (like a sword fighter, but awesomer) even after she demonstrates it a bajillion times until nearly the end of the book. Almost everyone Del meets threatens to rape and/or enslave her and she was raped in the backstory. About 80% of Del's total dialogue boils down to "I may be a woman, but I can do the thing."
Other than Del, there is exactly one woman in the entire book who is not a powerless wife, a whore, a slave, or raped and refrigerated in the backstory. Though possibly "refrigerated" is unfair, because the dead women are there to motivate Del, not Tiger. But still.
The depictions of the hot southern desert cultures, its cannibal tribes, its slavers, etc are basically what you would expect.
That being said, there are some pretty awesome crossing the desert sequences, including being dumped there to die without water and staggering through the sands getting horrendously sunburned, looking for oases and resting at oases, enduring a sandstorm, rescuing two adorable deadly sand tiger cubs, etc.
I read it in high school and never continued the series; all I remembered was that it had first person wiseass narration by Tiger and some good desert sequences. I re-read it after discovering yesterday that an eighth book in the series was released in 2022! Once again, I will not be continuing.
From:
no subject
Does she get to do anything interesting, or does she just exist as a statistical outlier?
From:
no subject
From:
no subject
From:
no subject
Same.
(no subject)
From:From:
no subject
😑 Promising
From:
no subject
From:
no subject
But it is a bit too much of the "not like other girls" type of feminism.
(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:From:
no subject
From:
no subject
(no subject)
From:(no subject)
From:(no subject)
From:From:
no subject
From:
no subject
A thousand repressed memories just rushed into my brain. I took those books off my mom's shelf because I was stoked to read about bird shapeshifters and now all I retain of the series is one of the guys ending up not bothering to shapeshift into a bird anymore because he lost his hand as a human and that translated into far too big a chunk of bird wing for his bird shape to be able to fly (I thought this was kind of cool) and one of the guys rewriting his unwilling "love interest's" mind so she would be incapable of not loving him (even at that more naive time in my life I think I'd have liked the consequences of that to be addressed more??).
What a time.
From:
no subject
From:
no subject
That's disappointing. I used to see them all the time in used book stores and never actually tried either that I can recall, despite my gravitation toward Robin Hood legends, but I guess an arrow was dodged.
(no subject)
From:(no subject)
From:(no subject)
From:From:
no subject
From:
no subject
From:
no subject
(no subject)
From:(no subject)
From:From:
no subject
From:
no subject
From:
no subject
Honestly, I'm vaguely shocked the 2022 one exists. (From DAW!) But a) Audible hasn't picked up the new one (or, "decided against audiobook production"), and b) her website says she'll be self-publishing succeeding books. Which. Makes sense.
From:
no subject
From:
no subject
From:
no subject
I have never heard of this book or author, but I am simultaneously horrified and greatly entertained.
From:
no subject
Er, is his sword blue and hers pink because he's a boy and she's a girl?
From:
no subject
From:
no subject
From:
no subject
From:
no subject
From:
no subject
From:
no subject
(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:From:
I read all the Dancer books availabe thru the 90s - haven't reread them since then
I will always be thankful especially to Jody Lee, the illustrator whose style I love (even in some of the Mercedes Lackey covers ^^) and DAW in particular for having so many female writers even then. These days I will only read male protagonists written by women, and prefer female protagonists by far. I had decades of not being able to get any so I feel I've paid my dues
From:
no subject
Have zero, ZERO impulse to go back and reread. But still remember them fondly.
From:
no subject
From:
no subject
I had this book, and I tried reading it because I'd loved the first Chronicles of the Cheysuli book with the deep love of a teenager who adored anything involving people who could talk to and/or turn into animals, and hadn't yet developed taste and discernment about things like "is this kinda racist though" and "did we actually need all this rape for the plot?" and so on. Besides, I loved sword and sorcery! Especially with a swordswoman!! But I found everyone kind of unpleasant, and I bounced off it pretty early on. Occasionally, I idly think about it and wonder if I'd like it more or less if I gave it another try now.
Thank you for answering that question for me!
From:
no subject
Probably the writing improves? I mean, it's got to, right?
From:
no subject
From:
no subject
From:
no subject