A bunch of John Christopher's books are getting reprinted as ebooks. He's a very uneven writer but his better books are well worth reading if you're okay with male-centricity - The Tripods, obviously, but also the Sword of the Spirits trilogy. His worse books, like Sweeney's Island/Cloud on Silver and Wrinkle in the Skin are some of the most jaw-droppingly misogynistic books I've ever read and that's saying something. (Also racist, but sadly not the most racist books I've ever read.) And some are just plain weird, which is always a plus in my book.

Sadly, Kindle has not yet reprinted the Nazi leprechauns.



Empty World, one of his many apocalypse books, features contagious rapid aging. At first children and younger teenagers are spared, and I thought it would be an "adults die, kids are left to make a new world" book. Then the children start dying too. By the two-thirds mark, there are only five survivors that we know of, and one is insane and one, believing he's all alone, commits suicide the day before the others would have found him. This book is dark.

The last third is very odd. Neil, the protagonist, finds two girls living together. They seem to be doing fine, but he doesn't agree and demands that they leave London and go to the country with him. Things go very, very bad between the three of them, leading to an ending that is weird and abrupt but oddly powerful. (This is a minority opinion. Amazon reviews were mostly "WTF? The book just stopped!)



Neil hooks up with one of the girls, Lucy. The other girl, Billie, who I read as being in love with Lucy, is jealous and angry. She also doesn't like him demanding that they uproot their lives and do what he wants. Neil can't stand Billie, and Lucy is stuck in the middle. Finally, Billie stabs Neil! He survives and runs off with Lucy. They realize that they can either run away together and leave Billie absolutely alone in the world, or go back for her and try to work things out.

In the very last line, they go back.





Wrinkle in the Skin is another apocalypse book, genre: giant earthquake. I DNF'd/skimmed it as it takes my second-place prize for Most Ridiculously Unrealistically Grimdark Apocalypse Reaction. First place is the book (IIRC Ashfall) in which a giant volcano erupts and people resort to cannibalism the next day. If you can't hunt for canned goods or just fast for one day before roasting babies in the town square, you just really want to roast a baby.

In this one, a giant earthquake kills most of the inhabitants of Guernsey. Literally ONE DAY LATER, when no one has any idea how widespread the earthquake actually was, some random dude has rounded up the women and begun raping them with the intent of quickly impregnating them so he can found a dynasty with himself in charge. The narrator is mildly put off by this, but not enough to do anything about it; he evaluates all women by attractiveness and agrees with the rape dynasty dude that the first one he found and raped is a "slut." The rape dynasty dude discusses forming a rape roster and keeping an eight-year-old girl for later sexual use when she's slightly older; the narrator is mildly put off but doesn't object.

At that point I started skimming. The narrator, accompanied by a young boy who is not considered a rape target because John Christopher cannot conceive of men being sexually victimized, goes on a trek across a former ocean bed in search of his daughter, a student a London. This part is pretty cool though, hilariously, they cannot conceive of eating raw fish so just leave perfectly good fish because they lost their lighter. These dudes are not exactly dynasty-building material is what I'm saying.

They find that England has also been devastated. The narrator meets up with a woman who delivers a "It's a man's man's world now" monologue in which she explains that she needs male protection because she has been raped in like eight separate incidents by different rapists, and was also raped by the men who "protected" her. After rape # 4 or so, I think I would try striking out on my own and avoiding men as much as possible, as there is plenty of canned food around.

At that point I gave up. It's too late now but I would really like to tell John Christopher that 1) you cannot extrapolate the behavior of soldiers in a war zone toward civilians on the enemy side to the behavior of random civilians to each other immediately after a natural disaster, 2) the day after a natural disaster is waaaaaaay too soon to found a rape dynasty, 3) raw fish is delicious and even if it wasn't, when you're starving you eat what's available so so much for your grim realism that allows for rape dynasties but not raw fish, 4) once things have devolved into a rapefest free for all, boys are getting raped too and eventually you, yes you, will land on the rape roster.

sovay: (Rotwang)

From: [personal profile] sovay


Things go very, very bad between the three of them, leading to an ending that is weird and abrupt but oddly powerful. (This is a minority opinion. Amazon reviews were mostly "WTF? The book just stopped!)

Since I don't care about spoilers but I am interested in people's opinions: may I ask?

The narrator meets up with a woman who delivers a "It's a man's man's world now" monologue in which she explains that she needs male protection because she has been raped in like eight separate incidents by different rapists, and was also raped by the men who "protected" her.

And this book doesn't have a single lesbian separatist?
swan_tower: (Default)

From: [personal profile] swan_tower


These dudes are not exactly dynasty-building material is what I'm saying.

This called to mind for me the (vastly superior) Shaun of the Dead, specifically the bit where Shaun's crew encounters another group of survivors -- clearly set up such that each of them has an analogue in the other group -- and it's pretty clear that the other group is waaaaaaay better suited to this "survival in a zombie apocalypse" thing than Our Band of Intrepid Idiots.

If it weren't for the fact that you'd have to suffer through Rape Dynasty Cannibal Bullshit to get there, I would almost be interested in a story which seems to set itself up as being about the ~hard decisions~ people have to make to survive . . . only for it to be revealed that they're goddamned idiots fed on too much grimdark media, while everybody else has already started on recovery and helping each other out. (But I'd feel like shit for the people got raped and eaten, so I would still probably nope out of it.)

1) you cannot extrapolate the behavior of soldiers in a war zone toward civilians on the enemy side to the behavior of random civilians to each other immediately after a natural disaster, 2) the day after a natural disaster is waaaaaaay too soon to found a rape dynasty, 3) raw fish is delicious and even if it wasn't, when you're starving you eat what's available so so much for your grim realism that allows for rape dynasties but not raw fish, 4) once things have devolved into a rapefest free for all, boys are getting raped too and eventually you, yes you, will land on the rape roster.

QFT.
swan_tower: (Default)

From: [personal profile] swan_tower


If the survival of the human species depends on completely dehumanizing everybody with a working uterus, I question whether the species deserves to survive at all.
genarti: Sarah Connor looking dubious ([scc] dubious)

From: [personal profile] genarti


There's a French (well, Canadian, but in French) book I read a few years back called Dévorés, about an apocalypse of killer wasps. The author is an entomologist, so I had great hopes! Sadly, our narrator was kind of an asshole of an Intrepid Idiot. In some ways, I did enjoy that our POV on the apocalypse was a normal dude, who wasn't super badass or super emotionally prepared and made bad decisions out of fear and uncertainty, but I was pretty much skim-reading by the end. There was a lot of Grim Hard Choices Of Grimness bullshit -- it was to some extent sent up as despair and our hero having lost sight of other possibilities, rather than inevitable fact, but there were also a LOT of people who got grittily killed by plot.

However, early on, before the apocalypsing, our hero had an unrequited crush on a girl in his class. Then the apocalypse! He spends a lot of the book wondering if she made it out alive and hoping to find her, and never does. And then, in the last pages, we find out that she got out of Montreal early on and has been riding around the countryside as part of a biker gang of badass wasp-killing women? (They might not literally be bikers, I can't remember, but they definitely had that vibe.) It retroactively ruined a lot of the rest of the book for me, because I was like, "wait wait wait, why did we not get HER story???" She clearly had her act more together on so many levels!
copperfyre: (Default)

From: [personal profile] copperfyre


I do now absolutely want to read the book about the badass biker gang of wasp-killing women!
ambyr: a dark-winged man standing in a doorway over water; his reflection has white wings (watercolor by Stephanie Pui-Mun Law) (Default)

From: [personal profile] ambyr


That ending reminds me a bit of the end to The World, the Flesh, and the Devil (1959), except there it's two guys and a girl.
autopope: Me, myself, and I (Default)

From: [personal profile] autopope


Per his wikipedia bibliography, A Wrinkle in the Skin came out in 1965, so written circa 1963-64 ... around the same time Heinlein was writing Farnham's Freehold.

Was it maybe Steam Engine Time only for rapey baby-eating misogyny and racism back then?

(Certainly it was that part of the 1960s when the New Wave started rolling and suddenly it was possible to talk about S*X in science fiction and an awful lot of adult men who really should have (charitably) known better started doing exactly that, and not in a good way.)

Oh, and Lord of the Flies came out in 1954. So maybe some in-genre dialog there?

PS: If you find this aspect of John Christopher's work distasteful, do not for the love of god and by god I mean Cthuhlu go anywhere near his contemporary, British SF writer Edmund Cooper. Who was really not on board with feminism at all and wanted everyone to know it, at least in his later (1960s onwards) books.


From: [personal profile] thomasyan


Empty World might be interesting paired with The Quiet Earth movie.

I keep planning to rewatch the latter to see how it holds up, but haven't gotten around to it yet.
ratcreature: WTF!? (WTF!?)

From: [personal profile] ratcreature


Yikes. I had never even heard of this author and it looks like I haven't missed much.

minoanmiss: Minoan youth I drew long ago. (Minoan Youth)

From: [personal profile] minoanmiss


This reminds me of the fashion in the late '90s for soi-disant intellectual men to try to theorize circumstances under which rape wouldn't be wrong.
asakiyume: (nevermore)

From: [personal profile] asakiyume


Mega LOL! As with Day 1 cannibalism, so too with Day 1 rape dynasties--if you're founding one on Day 1, you were just itching to have an excuse. And not eating the raw fish--I'm dying! "Good GOD Jeeves, we can't eat that recently cooked beef!! It's only medium rare, and you know I need it well done. We'll just have to starve I guess."
oursin: Brush the Wandering Hedgehog by the fire (Default)

From: [personal profile] oursin


I'm wondering if the concept of the 'cosy catastrophe' was in circulation, or whether Brian Aldiss coined it in 1973 in Billion Year Spree, with particular reference to the works of John Wyndham, and Christopher was writing against that, perish the thort that catastrophes might be cozy... we want MANLY grimdark catastrophes.

I also recollect that in Wyndham's The Chrysalids there are two women secondary characters whose relationship can be read as homoromantic if not homoerotic. So, you know, I don't think the 'men of their epoch' is necessarily an argument to go with.
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