A bunch of John Christopher's books are getting reprinted as ebooks. He's a very uneven writer but his better books are well worth reading if you're okay with male-centricity - The Tripods, obviously, but also the Sword of the Spirits trilogy. His worse books, like Sweeney's Island/Cloud on Silver and Wrinkle in the Skin are some of the most jaw-droppingly misogynistic books I've ever read and that's saying something. (Also racist, but sadly not the most racist books I've ever read.) And some are just plain weird, which is always a plus in my book.

Sadly, Kindle has not yet reprinted the Nazi leprechauns.



Empty World, one of his many apocalypse books, features contagious rapid aging. At first children and younger teenagers are spared, and I thought it would be an "adults die, kids are left to make a new world" book. Then the children start dying too. By the two-thirds mark, there are only five survivors that we know of, and one is insane and one, believing he's all alone, commits suicide the day before the others would have found him. This book is dark.

The last third is very odd. Neil, the protagonist, finds two girls living together. They seem to be doing fine, but he doesn't agree and demands that they leave London and go to the country with him. Things go very, very bad between the three of them, leading to an ending that is weird and abrupt but oddly powerful. (This is a minority opinion. Amazon reviews were mostly "WTF? The book just stopped!)

Read more... )



Wrinkle in the Skin is another apocalypse book, genre: giant earthquake. I DNF'd/skimmed it as it takes my second-place prize for Most Ridiculously Unrealistically Grimdark Apocalypse Reaction. First place is the book (IIRC Ashfall) in which a giant volcano erupts and people resort to cannibalism the next day. If you can't hunt for canned goods or just fast for one day before roasting babies in the town square, you just really want to roast a baby.

In this one, a giant earthquake kills most of the inhabitants of Guernsey. Literally ONE DAY LATER, when no one has any idea how widespread the earthquake actually was, some random dude has rounded up the women and begun raping them with the intent of quickly impregnating them so he can found a dynasty with himself in charge. The narrator is mildly put off by this, but not enough to do anything about it; he evaluates all women by attractiveness and agrees with the rape dynasty dude that the first one he found and raped is a "slut." The rape dynasty dude discusses forming a rape roster and keeping an eight-year-old girl for later sexual use when she's slightly older; the narrator is mildly put off but doesn't object.

At that point I started skimming. The narrator, accompanied by a young boy who is not considered a rape target because John Christopher cannot conceive of men being sexually victimized, goes on a trek across a former ocean bed in search of his daughter, a student a London. This part is pretty cool though, hilariously, they cannot conceive of eating raw fish so just leave perfectly good fish because they lost their lighter. These dudes are not exactly dynasty-building material is what I'm saying.

They find that England has also been devastated. The narrator meets up with a woman who delivers a "It's a man's man's world now" monologue in which she explains that she needs male protection because she has been raped in like eight separate incidents by different rapists, and was also raped by the men who "protected" her. After rape # 4 or so, I think I would try striking out on my own and avoiding men as much as possible, as there is plenty of canned food around.

At that point I gave up. It's too late now but I would really like to tell John Christopher that 1) you cannot extrapolate the behavior of soldiers in a war zone toward civilians on the enemy side to the behavior of random civilians to each other immediately after a natural disaster, 2) the day after a natural disaster is waaaaaaay too soon to found a rape dynasty, 3) raw fish is delicious and even if it wasn't, when you're starving you eat what's available so so much for your grim realism that allows for rape dynasties but not raw fish, 4) once things have devolved into a rapefest free for all, boys are getting raped too and eventually you, yes you, will land on the rape roster.

A comet hits the earth, destroying much of it. Hard white men make hard choices in hard times, while women gratefully revert to 1950s-era gender roles and black people become cannibals. Except for the one token black astronaut who only got to go into space due to affirmative action tokenism. But he's not a cannibal, which proves that it's totally not stereotypical that most of the other black people are.

I've been having trouble focusing on fiction while trapped in my apartment, until it occurred to me that maybe I was having trouble focusing on good fiction. So I decided to read a book which I have not read since I was twelve, and which I recalled was not boring but also not good. Plus, it's an apocalypse novel, which is a favorite genre of mine. I thought maybe it would break the spell.

All I really remembered from when I was twelve was that I enjoyed the parts where Los Angeles was destroyed by comet, though I found them sexist even at twelve when I was not sensitive to such things (let me put it this way: I was still happily reading Piers Anthony at that age), but got bored once it moved on from immediate post-comet strike, and also found it incredibly racist though at that age I was even less sensitive to racism than to sexism.

Spoiler: 12-year-old self was right about the sexism and racism. Also, I DNF'd. But not due to quarantine lassitude, due to the fact that I was also right about when it gets boring. However, I skipped ahead to see if I correctly recalled that black people turned to cannibalism. Spoiler: yep!

The first third of this massive book is reasonably entertaining, with a couple legit very good bits. Here's what I liked:

An independently wealthy man, Tim Hamner, is one of the two discoverers of a comet, Hamner-Brown. (Brown is a 12-year-old boy.) All the main characters but four astronauts are in Los Angeles, which is described very accurately according to the geography of the time. We follow them as the comet comes closer and closer to earth, and ends up being nicknamed The Hammer. It eventually hits. This leads to the absolute best moment in the story, when a totally gnarly surfer surfs the most epic wave ever, all the way through Los Angeles, and is totally stoked until his rad ride is interrupted by a skyscraper.

Lucifer's Hammer was published in 1977; you can tell because the ginormous, mostly indistinguishable cast of characters is constantly having sleazy, loveless sex described in the least erotic terms possible.

All the women are always described in terms of their attractiveness to men (always) and breeder potential (post-comet). The two token non-cannibal black characters have no characteristics other than being black, and constantly discuss affirmative action and that they're not like the other, criminal blacks. Except for a few cameo redshirts with names like "the Indian," there are no races other than black or white.

There is an endless bit where pre-strike, a scientist has a TV interview where he describes the comet and the potential of a strike in terms of an ice cream sundae. This is mildly amusing but not actually funny, but all the characters roll around laughing hysterically when it happens and every time it's mentioned, and it's mentioned a LOT. This leads to a sort of meme where the upcoming strike is called "ice cream sundae which is actually Tuesdae;" I totally believe that this would become a meme, but not that people would continue finding it hilarious every time it's mentioned.

The main thing that's interesting about the book, because it's an idea that informs so much apocalypse fiction and also how a lot of social issues are discussed, is the idea of hard men making hard choices in hard times. Here's the premises, which Niven & Pournelle exemplify but did not invent:

At all times but especially during disasters, resources are zero-sum. If you give something to others, you lose it yourself. Generosity and sharing are luxuries which are dangerous to indulge in and must be abandoned in hard times. This is a virtue and shows your strength.

Kindness, equality, and nonviolence are bad. They are also a luxury of the Before Time. Showing kindness to others will cause them to attack you for your resources. It is now fine and in fact essential to beat children and subjugate women, because this is necessary now that times are hard. (Not shown: why it's necessary.)

Only a small circle of people, such as your own family and possibly your chosen group, deserves life. Life is also zero-sum. Attempts to protect non-group members will cause your own group to be harmed. Non-group members will harm you, either deliberately or by consuming your zero-sum resources. They must be driven off, kept out, or killed.

Empathy is zero-sum. If you show it to non-group members, you have less for your group and are actually harming your group.

Guns are essential. Everyone must get as many guns as possible. All interactions with non-group members must begin by threatening them with your guns. If you don't do this, they will interpret it as weakness and attack you.

All human relationships are transactional. Women and children are men's property. The only way an outsider can enter your group is if they possess either male-coded useful skills (ability to shoot, being a doctor, being an architect) or as a possession.

The book ends with the central group having defeated the black cannibals and enslaved them, because they have no other choice but to enslave them, kill them, or let them go and then have them return to attack the group again. Hard white men make hard choices, such as owning slaves.

It was very interesting reading this book now, because you can see how these premises are affecting the US right now. Again, this book didn't cause or invent these premises! It's just an example of them.

For instance, if you believe in zero-sum resources, then you do not want medical care for everyone, only for your own group; any medical care going to others reduces the medical care available to you. Also, if you believe in zero-sum, then any action which increases the safety or saves the lives of a non-group member is actively harming you, by reducing your safety or endangering your life. Better grab and display as many guns as you can carry!

In particular, the idea that showing non-group members empathy or kindness actually harms your own group explains a lot, IMO.

Leaning into the premise: Excellent. It promises a comet hitting Earth, and it's about a comet hitting Earth.

Lucifer's Hammer: A Novel

ETA: Just now noticed that it's a "a novel." LOLOLOL.

Complete in three volumes, this manga is a cozy post-apocalypse tale about the adorable adventures of a young girl and her beloved pet giant mutant tentacled spider.

It’s also a cooking manga.

12-year-old Nagi is living alone and lonely in the mountains since her dad wandered off. But luckily, she encounters and adopts a giant mutant spider baby, which she names Asa. Asa doesn’t speak, but they and Nagi communicate just fine anyway. (Nagi uses “they/them” pronouns for Asa; it’s not stated whether it’s because Nagi doesn’t know Asa’s gender, or if she does know and Asa is nonbinary.)

Each chapter features Nagi and Asa having some kind of adventure and also cooking, so you get titles like “Danger & Pita Pockets.” Recipes included. That is, Nagi or people who Nagi meets cook, and Asa helps out, eats, and carries trays of food on their back.

I only read the second two volumes of this—Lyda and Mason left it with me, along with other manga, to mail back to them. But it was easy to pick up on earlier events, which I gather prominently featured pumpkin dumplings.

Giant Spider & Me is bizarre and also extremely sweet. Some people think Asa is a dangerous monster, but nothing ever gets too threatening and the love between a girl and her giant spider always carries the day.

Adrian Tchaikovsky would enjoy this. I did too. It’s like there’s some kind of conspiracy afoot to make me fall under the spell of our new many-legged overlords, I mean our adorable arachnid friends.

Giant Spider & Me: A Post-Apocalyptic Tale Vol. 1

A Heinlein juvenile about a family that joins a colony terraforming Ganymede. I read it as a kid, but didn’t remember much. Continuing my theme of surprise!grimdark, I thought it would be a charming tale of explorer spirit and space farming, and it turned out to be awesomely depressing despite a pasted on yay semi-upbeat conclusion. That is not the normal tone of a Heinlein juvenile, which could have dark aspects but were overall optimistic. It also has my least favorite of Heinlein’s juvenile heroes, Bill. He’s clearly meant to have flaws and learn to be better, but I really disliked him for a good 80% of the book.

Bill, an Eagle Scout, lives with his father after their mother’s death in a glum dystopian Earth with food rationing and few opportunities. (It does have microwave dinners, though – good prediction, Heinlein!) Due to being bad tempered and insecure in that awful teenage way that manifests in constantly trying to prove himself and thinking he’s better than everyone, he doesn’t play well with others. Also, he despises girls and women. The misogyny is partly a sign of the times thing and partly a character trait that he’ll mostly get over, but it’s really grating.

He begs his father to let him go be a colonist and farmer on Ganymede, and is pleased when his dad, after testing him to see if he’ll flip out if his father goes without him, tells him they’re going. But first he has to get married! Right now! To a woman Bill barely knows, with a daughter he’s never met before!

You can see where Bill gets his interpersonal skills.

Bill sulks, is mean to the daughter (Peggy, who is younger than him and clearly adores him), and refuses to go to the wedding. Nevertheless, they embark. The space voyage involves Bill running a scout troop, learning to be slightly less of a colossal jerkwad, and saving a bunch of lives by plugging a hole in the ship with his precious scout uniform after a meteorite strike. There are also multiple pages of math and physics explaining… stuff. I skipped those.

At Ganymede, the colonists find that they have been victims of a bait and switch: the farms they were promised are not available and won’t be for years, and the existing colonists don’t want them. It’s hard or impossible to go back, and conditions suck. Poor Peggy can’t adjust to the low air pressure and has to be lodged in a special pressurized room for as long as they’re there. This is super depressing, but the gloom lets up a bit when Bill sharecrops for a nice family who has successfully farmed, and the family eventually gets a farm of their own though Peggy is still stuck in her room and can only leave it in a bubble stretcher.

The farming part is unusual. Due to the expense of transporting mass, there’s very little equipment and farmers need to pulverize rock into dust, then mix it with bacteria to create dirt. It’s backbreaking labor, and that’s most of the farming we see. I was a disappointed, as I wanted more “Little House on Ganymede” details, Bill learning about cows when he’s never seen one before, etc, but most of what we get is pulverizing rock.

And then! Depressing spoilers! Read more... )
In six months, Earth will be destroyed by a giant asteroid and everyone will die. Society is slowly disintegrating, with many services gone and lots of people bailing from their jobs or committing suicide. But some people are still hanging on... and one new detective is tackling his first murder case. But if everyone is going to be dead in six months anyway, does it matter if a single murder is solved?

I loved the premise of this story, which is such a great vehicle for exploring a lot of themes I'm interested in: does what we do matter if it's impermanent? What is worth doing if we know for a fact that our time is limited? What's worth doing if all the usual consequences are stripped away? And I liked the book to the degree that it explores those themes, and also to the degree that it does an interesting job of portraying life six months before the apocalypse.

That degree was mixed. Life before the apocalypse was pretty good, interesting, and convincing; things are falling apart, but not everyone reacts in the same way. My favorite moments were those concerning people doing stuff other than committing suicide in despair. (There were some of those, but John Wyndham did a more affecting depiction of that in The Day of the Triffids.) A new young cop chases a thief, gun ready, screaming, "Stop or I'll shoot, motherfucker!" and later confesses that she just didn't want to die without ever having done that; a barista sets up a game with coffee beans and paper cups for his customers to bet on where the asteroid will strike; a coroner stays on the job because it's what she's always wanted to do.

The main character, Hank Palace, also really wanted to be a cop, which partly explains his fixation on solving a case when he and the world only have six months left to live, but partly is also looking for something to take his mind off the apocalypse. The thematic issues I mentioned come up, but not in any great depth. They're suggested rather than explored, as Palace doggedly pursues leads while lots of people (but not all) question why he's even bothering. It's an issue which he seems to not want to dwell upon, which is understandable but which led me to expect him to have more of a revelation of or confrontation with his own motives at the climax. This doesn't really happen. He solves his case, which as with many mysteries is more interesting as a puzzle than a solution, and then the book ends abruptly. Not with an asteroid strike. With a "read the sequel!"

Worth reading if you like the premise, but not entirely satisfying. Not sure if I'll read the sequels; a skim of reviews suggested that they're pretty similar to this one.

The Last Policeman: A Novel (The Last Policeman Trilogy)
The continuing adventures of reviews of books I read a while ago but never got around to writing up.

Front cover: An earthquake leaves Kriss stranded with an old hermit and a "talking" chimp!

Back cover: Capers for every kid. Adventure. Mystery. Science fiction & fantasy. Hilarious escapades... by many of today's favorite authors.

This is why thrift stores are great sources of books. I can't imagine finding this weird little unknown work-for-hire book by a very famous author in a regular bookshop, and indeed I never have. I had vague recollections of reading this book as a kid, though I had not remembered the author (I probably read it before I read any of Yolen's more typical works), and recall finding it rather disturbing. I re-read it as an adult. For a very short kiddie adventure novel, it actually is rather disturbing.

The beginning introduces Kriss, a clumsy California boy who wears glasses. His father refuses to take him camping on the grounds that he's so terrible in the outdoors that he'll instantly break his leg, his glasses, and get poison ivy. Annoyed, Kriss decides to sneak out and hike to his grandmother's house. He'll show them!

It is mentioned in passing that a few years previously, there was a huge earthquake and Los Angeles fell into the ocean.

Kriss hitches several rides to get to the wooded area through which he plans to hike. I check the copyright date. Huh, I guess in 1981 the idea of a kid hitch-hiking wasn't OMG SHOCKING, because nothing is made of that. His last ride is with a guy transporting caged signing chimpanzees to a lab. Then the Big One hits! The truck crashes. The driver is killed. All of this is described in pretty vivid detail - again, especially, for a book intended for eight-year-olds.

Kriss releases the chimps, who stick with him. I have to say, after reading about the guy whose chimp ate his face, I would have regretfully left them where they were. But these are nice signing chimps, not face-eating chimps, and they and Kriss wander around the wilderness, helping each other and fleeing the people who immediately reverted to cannibalism pet dog-eating - okay, I guess Yolen did make a concession to the age of her audience. Then one of the chimps falls into a crevasse and is killed.

Kriss then runs into an old vegetarian hermit named Chris. They have adventures together, including trying to rescue some pets from a pet store (most are already dead - I told you this was dark), but he does get another chimp. Then Chris has a heart attack. Surprisingly, he does not die. They are medevaced out by a mysterious, possibly sinister helicopter, and Kriss releases the chimps into the wild and certain death lest the helicopter people do something awful to them. Kriss still has no idea whether or not anyone in his family is still alive.

The end! Only not, because Yolen has an author's note discussing signing chimps. It concludes - this is the last line of the book - But even though scientists may disagree about the talking chimps, they all agree that there is a real possibility that one day California will have a different coastline than the one it has today. Have a nice day, California readers! It is scientific fact that one day you and your family may be killed in a giant earthquake!

I don't give this an "awesomely depressing" because it doesn't actually read that way, despite the dead people, dead chimps, dead dogs, dead pets, possibly dying buddy, and possibly dead family. It reads as an entertaining but slight adventure that would probably have been more memorable at a longer length. But seriously, that author's note! What was she thinking?

The Boy Who Spoke Chimp



So, what weird children's books do you recall, or wonder if you imagined? Have you read any of them as an adult? How were they?
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